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FREESTYLING

First, I suggest you listen to other great freestyle rappers like Cassidy, Eminem, Jin, Hell Rell, Jay-Z or Fabolous to get a feel of how an expert does it. Practice freestyling anywhere and everywhere to get yourself accustomed to freestyling on the spot. Even if you think you sound stupid just keep doing it. As an exercise, get a friend (or you could do this by yourself) and point at random objects in a room and freestyle on it, T.V., refrigerator, phone, then rhyme as much words as you can. At this point it does not matter if it makes sense. Pausing after a word causes it to have more power, especially if a word is rhymed with the paused wor on the next bas. Also watch T.V. and take notes on daily things that are occuring. USing famous people or events is HIGHLY effective when you need that strong punchline to close your last bar.

Then start taking on subjects you have strong opinion to and start freestyling about that, this will develop you to have substance. Keep practicing, once this is mastered continue to the next step. Now you can freestyle battle. Battle with friends or if you can find someone who is really good, battle him. After each battle most freestylers will automatically tell you what they felt you’ve lacked, so you will improve. I’m not saying a great boxer becomes great by losing street matches, but it would unquestionably make him more humble. Eventually, after your weaknesses are spotted and improved (staying on topic, picking something about your opponent and mocking it) you should be very lethal.

Freestyling consists of disses, metaphors and punchline patterns.

- A diss is basically attacking someones appearance, personality, lifestyle, history, family, obvious weaknesses.

- A metaphor is comparing your enemy to something animate or inanimate to insult them.

- A punchline is the bar that can take the diss or metaphor and puts it in a single bar.


INCREASING SPEED

Can mean many things where you copy and repeat with words, schemes or technical use. It also means using a quotation and not giving immediate credit to the author or creator.

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